Alla FABRITIUS, Carels Oljemålningar
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| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 74306 |
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Hagar and the Angel |
Date ca. 1643-1645
Medium Oil on canvas
Dimensions 157.5 X 136 cm (62.01 X 53.54 in)
cyf |
| 6629 |
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Self-Portrait 1202 |
c. 1645
Oil on panel, 65 x 49 cm
Museum Boymans-van Beuningen, Rotterdam |
| 6630 |
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Self-Portrait dfhm |
Oil on panel, 62 x 51 cm
Alte Pinakothek, Munich |
| 6628 |
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Self-Portrait sfgh |
1654
Oil on canvas, 70,5 x 61,5 cm
National Gallery, London |
| 6631 |
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The Beheading of St. John the Baptist dg |
Oil on canvas
Rijksmuseum, Amsterdam |
| 33724 |
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The Goldfinch |
mk86
1654
Oil on panel
33.5x22.8cm
The Hague,Mauritshuis |
| 21791 |
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The Goldfinch (mk08) |
1654
Oil on panel.
33.5x22.8cm
The Hague,Mauritshuis |
| 6627 |
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The Goldfinch dfgh |
1654
Oil on panel, 33,5 x 22,8
Mauritshuis, The Hague |
| 6632 |
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View of the City of Delft dfg |
1652
Oil on canvas, 15,4 x 31,6 cm
National Gallery, London |
| 82859 |
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Young Girl Plucking a Duck |
Oil on canvas
Dimensions 84,1 x 70 cm
cyf |
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| FABRITIUS, Carel
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| Dutch Baroque Era Painter, 1622-1654
Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
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